I'm blogging to plug the brand new Colour Revolt record. Colour Revolt is the first band I 'signed' when I attempted to foster a coalition of local artists, in a way-too-DIY fashion, into a 'label'. That short-sighted venture became, under the far superior monetary and visionary expertise of Chaney Nichols, Esperanza Plantation. Colour Revolt has (co-?) released their newest album with the MS blues-inflected label Fat Possum Records (Andrew Bird, Townes Van Zandt, Dinsoaur Jr.).
The new album, Plunder, Beg and Curse, is a consistent maturation of that brilliant blend of sombre, intelligent grit-rock that those of us who know the band have come to expect. Each song threatens a deluge of well-structured beauty or chaos; most songs deliver on both. The Fat Possum bio does justice to this album: '...there's a lot of guitars in Colour Revolt. But they're not dumb guitars.... It's pretty sometimes, sure, but it doesn't do to leave gorgeous alone, and sometimes you have to punch the blushing bride in the face'.
This isn't 'strum hard and titillate' pseudo-rock. Pluder, Beg and Curse does both, at times, but only in the context of the brilliant whole where intricate and exploratory guitar work, a sound, innovative rhythm section, and vocals which can howl or whisper merge to offer reflective and forceful re-narrations of the human predicament. Lyrically, the album is both deeply religious and
fittingly secular, for as the opening track has it, 'Eden is a hell of a place.'
All that to say, upon the 10th solid listen, there's no criticism I can yet muster. If rock and roll runs through your veins in any measure, give the opening two tracks a try here, or sample the whole and take the plunge here at the brilliant emusic.com. It's in stores April 1.